Ghostbusters: Afterlife

When a single mom and her kids arrive in a small town, they begin to discover their connection to the original ghostbusters and the secret legacy their grandfather left behind.

Critic Reviews for Ghostbusters: Afterlife:

• " For our part, we found it thoroughly entertaining, and while it may have one too many throwbacks to the original, Afterlife avoids the mistakes of Halloween 2018 and The Force Awakens by concocting a new story rather than retreading the original movie. " – David Reddish (Queerty)

• " Ghostbusters: Afterlife was the film Jason Reitman was destined to write and direct. Its a cinematic love letter to not just fans of the franchise but cinephiles. " – David Gonzalez (Reel Talk Inc.)

• " What works best about Ghostbusters: Afterlife is that Reitman has created a film that not only honors the legacy of the iconic, classic original film but also creates a solid new entry to introduce the franchise to new generations. " – Jeffrey Harris (411mania)

Ghostbusters: Frozen EmpireIn Ghostbusters: Frozen Empire, the Spengler family returns to where it all started – the iconic New York City firehouse – to team up with the original Ghostbusters, who’ve developed a top-secret research lab to take busting ghosts to the next level. But when the discovery of an ancient artifact unleashes an army of ghosts that casts a death chill upon the city, Ghostbusters new and old must join forces to protect their home and save the world from a second Ice Age.

Critics Reviews for Ghostbusters: Frozen Empire:

• “After so many mishandled or abandoned series — from “Fantastic Beasts” to “Narnia” to “Percy Jackson” — it’s nice to see one that’s heading in the right direction.” – Rafer Guzman (Newsday)

• “Much better than the wobbly reboot, with plenty to delight both long-time fans and newcomers.” – Nell Minow (Movie Mom)

• “My fingers have taken to their death bed simply typing out the basics. Yet, “Frozen Empire” is an eclectic, enjoyable barrage of nonsense — a circus act that kicks off with a Robert Frost poem and climaxes with Ray Parker Jr.’s titular synth banger.” – Amy Nicholson (New York Times)

• “Aykroyd, who co-wrote the summer of 1984 blockbuster with the late Harold Ramis, is the heart and soul of a film that sets new against old.” – Brad Wheeler (Globe and Mail)